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Leslie Marmon Silko
b. 1948

The earth is your mother,
she holds you.
The sky is your father,
he protects you.
Sleep,
sleep.
Rainbow is your sister,
she loves you.
The winds are your brothers,

they sing to you.
Sleep,
sleep.
We are together always
We are together always
There never was a time
when this
was not so.

--Storyteller



Jump to: Biography and Criticism | Selected Bibliography | Non-English Materials | Related Links

Biography / Criticism

In 1948 Leslie Marmon Silko was born in Albuquerque, New Mexico, of Pueblo, Laguna, Mexican, and white descent. Growing up on the Laguna Pueblo reservation she attended an Indian school and later attended a school in Albuquerque 50 miles away. After high school she went on to attend the University of New Mexico. Silko published her first work, Tony's Story in 1969 and later wrote her first book Laguna Women Poems in 1974.

In 1977 Silko published her first novel, Ceremony. Ceremony explains how vital storytelling is to the Pueblo culture and how White culture has made many attempts to destroy these stories as well as their ceremonies. Silko's second major novel, Storyteller, published in 1981, uses the stories passed on in her Native-American tradition to recreate, through poetry and prose, stories about her own family. Delicacy and the Strength of Lace: Letters, published in 1986 is an edited version of her correspondence with poet James Wright.

Almanac of the Dead, published in 1991 is perhaps Silko's most talked about novel. As one critic wrote, 'this book was written to be discussed.' In this book Silko deals with many issues related to American Indians, the most prominent being European conquest of them. This book has a darker tone than her others and the characters are more complicated and angry.

Yellow Woman, first published in 1993, is followed by Yellow Woman and a Beauty of the Spirit, published in 1996. They are both works on Laguna society before Christian missionaries arrived, as well as political statements against racist policies. These two works once again emphasize the strong connections Silko has to the oral tradition of her past.

Critiques of Silko have focused on issues that she is most involved in. Of these the most prominent focus is on the preservation of oral tradition and ceremonies of the Laguna Pueblo Indians. Silko is the 'first acclaimed Native-American woman author' and has used this role to bring attention to many controversial political ideas. Among these are the White European conquest of the Native-Americans and current immigration policies directed at minorities.

Other issues that critiques of Silko touch upon are her involvement in Women's Equality, and stopping violence against women. Most critical intrest in Silko springs from her strong ties to tradition. In the introduction to Yellow Woman edited by Melody Graulich, LaVonne Ruoff states, "Silko emphasizes the need to return to rituals and oral traditions of the past in order to rediscover the basis for one's cultural identity" (Graulich, pg 20). In as much as Silko needs to be a part of this oral tradition, she needs to be the teller. Kenneth Kidd writes of Silko in his review of Lullaby, "A story is a story, but the performance of a storyteller is as much a part of the story as the meaning of the story itself."


Selected Bibliography

Works by the Author

  • Gardens in the Dunes (1999)
  • Love poem and Slim Man Canyon (1996)
  • Yellow Woman and a Beauty of the Spirit Essays (1996)
  • Sacred Water Narratives and Pictures (1993)
  • Yellow Woman (1993)
  • Almanac of the Dead: A Novel (1991)
  • Delicacy And Strength of Lace Letters (1986)
  • Storyteller (1981)
  • Western Stories (1980)
  • Ceremony (1977)
  • Laguna Women Poems (1974)

Works about the Author

  • Academic Papers and Criticism:

    • Robin Cohen's “Landscape, Story, and Time, as Elements of Reality in Silko's Yellow Woman.” Printed in Weber's Studies: An Interdisciplinary Humanities Journal,-Volume 12, no 3. Ogden UT. Pages 141-147.
    • St Andrew's “Healing The Witchery: Medicine in Silko's Ceremony.” Printed in Arizona Quarterly: A Journal of American Literature, Culture and Theory. Volume 44, no 1. Tuscon, AZ. Pages 86-94.
    • Joan Thompson's “Yellow Woman, Old and New: Oral Tradition and Leslie Marmon Silko's Storyteller.” Found in The Wicazo SA Review. Volume 5, no 2. Pages 22-25.
    • Peter Beidler's “Animals and Theme in Ceremony”. Found in American Indian Quarterly: A Journal of Anthropology, History, and Literature. Volume 5. Pages 13-18.
    • Mary McBride's “Shelter of Refuge: The Art of Memesis Leslie Marmon Silko's Lullaby.” Printed in The Wicazo SA Review. Volume 3, no 2. Rapid City, SD. Pages 15-17.
    • Judith Antell's “Momaday, Welch, and Silko: Expressing the Femenine Principle Through Male Alienation.” Found in American Indian Quartely Volume 12, no 3. Lincoln, NE. Pages 213-220.
    • Alan Velie's “Four American Literary Masters: N Scott Momaday, James Welch, Leslie Marmon Silko, and Gerald Vizener.” Found In Norman: University of Oklahoma.
    • Susa Perez Castillo's “The Construction of Gender and Ethnicity in the Texts of Leslie Marmon Silko and Louise Erdich.” Printed in Yearbook of English Studies London, England. Pages 228-236.
    • Robert Nelson's “He Said/She Said: Writing and Oral Tradition in John Gunn's kopot ka-nat' and Leslie Silko's Storyteller.” Found in Studies of American Indian Literature; The Journal of the Association for the Study of American Indian Literature. Volume 5, no. 1.
    • Amy S. Gottfried's “Comedic Violence and the Art of Survival: Leslie Marmon Silko's Almanac of the Dead.” in Historical Nightmares and Imaginative Violence in American Women's Writings: Greenwood Press, 1998.
  • Interviews:
    • Peter Seyersted's “Two Interviews with Leslie Marmon Silko.” Found in American Studies in Scandinavia. Volume 13. Pages 17-33.
    • Elaine Jahner's “The And Oral Tradition: An Interview With Leslie Marmon Silko.” Found in Book Forum: An International Transdisciplinary Quarterly. Volume 5, no 3. Niantic, CT. Pages 383-388.
    • Stephen Pett's “An Interview With Leslie Marmon Silko.” Printed in Short Story. Volume 2, no 2. Brownsville, TX. Pages 91-96.
    • Laura Coltella's “Almanac of the Dead. An Interview with Leslie Marmon Silko.” Found in Native American Literature Pisa: SEU. Pages 65-80.
    • Yellow Woman Leslie Marmon Silko; edited and with and introduction by Melody Graulich. New Brunswick, N. J.: Rutgers University Press, 1993.
  • Works in other languages

    • Raccontare. (Storyteller). Milano, Italy : LaSalamandra. 1983 Italian
    • Almanach der Toten. (Almanac of the Dead). Transl. Bettina Münch. Hamburg : Rogner & Bernhard bei Zweitausendeins, 1994. German
    • Gestohlenes Land wird ihre Herzen fressen. (Ceremony). Transl. Ana Maria Brock. Hamburg : Luchterhand Literaturverlag, 1992. German
    • Uisik : Lesulli Mamon Silko changpyon sosol. (Ceremony) Soul-si : Tongasia, 2004. Korean

    Related Links

    An Interview With Silko
    Thomas Irmer interviews Silko on the ideas and themes she expresses in Almanac of the Dead. It also talks of Silko's upbringing with stories and ceremonies.
    A Celebration of Women Writers
    A Celebration of Women Writers provides a summary of women writers from A-Z. You can download a plethora of works by or on a variety of women authors, including Silko.
     

    This page was researched and submitted by: Daniel Droberg and Robin Huiras on 12/10/96. The bibliography was suppemented by Maria Zavialova on 9/20/2004.


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